The collection published as Harmonische Seelenlust contains 98 chorale preludes altogether, some of them specifying use of an oboe “placed in order to give. Georg Friedrich Kauffmann is best known for the “Harmonische Seelenlust”. This work contains all of his known chorale preludes together with. Georg Friedrich Kauffmann (14 February – 24 March ) was a Baroque composer and Gelobet seist du, Jesu Christ; Harmonische Seelenlust musikalischer Gonner und Freunde: Wer nur den lieben Gott lässt walten; Nun danket.
|Published (Last):||4 December 2005|
|PDF File Size:||1.68 Mb|
|ePub File Size:||3.59 Mb|
|Price:||Free* [*Free Regsitration Required]|
Author Van Wyk, Theo. Sfelenlust inevitable consequence of this dereliction is a profound scarcity in research studies into his life and works as a composer and performing musician. Works with this designation should in essence proclaim a fundamental deep affliction by the careful and critical expanding of the basic tactus.
The only chorale prelude in the Harmonische Seelenlust with the indication Largo is Herr Gott, dich loben alle wir. It is mostly two-voiced works bicinia in the Harmonische Seelenlust that seem to be adorned with this tempo, although three- and four-voiced pieces abound.
Harmonische Seelenlust, (Musical score, ) 
Identify each web page that allegedly contains infringing material. Voordracht en registratie der Orgelliteratuur. University of the Free State. This aspect is discussed in greater detail in the following section. This genre will receive greater attention seelenlustt the subsequent chapter.
Moreover, Andreas Werckmeister professes in his Orgelprobe that giving the Quint and Terz separate registers allowed for hzrmonische variation. Material on the subject of registration usually consists of: Die Interpretation und Wiedergabe der Orgelwerke Bachs. Kauffmann mostly adds this tempo to chorales with a tranquil and placid, yet extolling quality, i. Thank you for notifying us. It can therefore be stated — as will be seen later – that the Harmonische Seelenlust and its detailed harmoniscbe instruction, is the direct result of the influence of the Merseburg organ on Kauffmann.
As a wide metal flute stop known from aboutthe Gemshorn tone gained tremendous popularity in the 18th century.
Kauffmann: Harmonische Seelenlust / Croci, Kramp
These enriching activities and other forms of exposure to this genre have led me to engage in an in-depth study of this field of music by researching the art of organ registration that developed during this period. The chorale preludes in the Harmonische Seelenlust represent the typical seventeenth- and eighteenth-century style of Central Germany where the text of the particular chorale is ideally set to music for an instrument such as the organ.
Even today the “Harmonische Seelenlust” is a rich source of inspiration. Durch Adams Fall Suggested registration: These references will include writings of authoritative musicologists such as Johann MatthesonJohann Friedrich Agricola and Jacob Adlung For Kauffmann, the Vox Humana on the Merseburg Cathedral organ must have been equally exquisitely striking and attractive such as that of the Altenburg Castle organ for him to be so fond of this stop, probably not only in combination with other registers, but also on its own.
It may be a registration that signifies a prominent pedal line with solo qualities. The Harmonische Seelenlust contains directions for performance supplied by Kauffmann himself, which makes this work an invaluable piece of information regarding the performance practices of his era, and possibly, his contemporaries such as Johann Sebastian Bach and Johann Gottfried Walther.
Georg Friedrich Kauffmann
O Gott, du frommer Gott Suggested registration: One must have registers which brighten. This, according to Owen Lobt Gott, ihr Christen allzugleich Example Ein feste Burg Alio modo Example I swear, under penalty of seelenlusg, that the information in the notification is accurate and that I am the copyright owner or am authorized to act on behalf of the owner of an exclusive right that is allegedly infringed.
He was the prime contender for the position until April when J. Vom Himmel hoch, da komm ich her 2. Herzliebster Jesu, was hast du verbrochen A critical study of his organ registration indications Login.
This form does not constitute legal advice and nothing that you read or are provided on this web site should be used as a substitute for the advice of competent legal counsel. Eighteenth-century sources on registration can be divided into three main categories of which Category 3 includes seelenlust specific seelemlust instructions that can be applied to specific pieces of organ music.
September Learn how and when to remove this template message. He received his early keyboard training from Johann Heinrich Buttstett in Erfurt.
Please enter recipient e-mail address es. Kauffmann employs a cross that in barmonische delineates the same basic principle in terms of the implementation as the trill. A Principal or a 4-foot Octave may be added to the Gedackt 8, and the other voice can be played one octave lower: Grauncopied three choral works which were ultimately performed by J. Pieces with this instruction include: In Historical Organ Techniques and Repertoire.
Erschienen ist der herrliche Tag Alio modo Suggested registration: Kauffmann word grootliks geassosieer met een van die mees belangrike versamelings van koraalpreludes in die Barok, naamlik die Harmonische Seelenlust Leipzig waarvan hy die komponis is. To file a notice of sewlenlust with us, you must provide us with the items specified below. The performer therefore does not necessarily have to use a stop with exactly the same name, as mentioned in the preface to the Harmonische Seelenlust.
A critical study of his organ registration indications Van Wyk, Theodore Justin. It is interesting that Kauffmann adds only one ornament in the following work. Vater unser im Himmelreich Alio modo 4. Ein feste Burg Example uarmonische Create lists, bibliographies and reviews: Essays on his life and music. Harmoinsche Practice of the Seventeenth and Eighteenth Centuries.