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The next example occurs at 4 min. Different aspects of his compositions reflect these innovations, as the musical notation he uses and the relationship between instruments and electroacoustics   for instance. Eventually, a new fusion is sought.
Two piano works by Edson Zampronha – Analysis and performance suggestions. Starting edsn E, the next polar pitches are D, C and Bb. This overall control of pitches is very important to the musical intelligibility of the work. Resolution is the result of a polar note, which, resembling an appoggiaturais resolved in the next note. Each section is then divided into three components, with the global features of the work reproduced within each component.
Tension is primarily created by the close alternation of two adjacent polar pitches. Afterwards, the tuba and marble sounds are separated, but they continue in parallel with one another, revealing their conflict. These chords are unities that are fragmented by the use of specific extra-notes. And there are places where timbre becomes central to the musical composition 5 min.
Edson Zampronha was born in Rio de Janeiro into a family of musicians. Similarly, the openness offered to the performer is a way to make chance appear in particular aspects of the work.
There are zampronnha references 4 min.
This re-interpretation appears clearly in his use of musical rhetoric resources. Some of his works are:. Another aspect of this re-interpretation can be found in the use of sound materials and their references.
He has developed two post-doctorate researches on music and meaning, one at the University of Helsinki Finlandinand another one at the University of Valladolid Spainin This page was last edited on 16 Augustat This series is a collection of essays signed by outstanding artists-researches from the most important Brazilian Universities.
In this case, it interchanges notes E and D.
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They create tensions and resolutions. The sounds were carved after being recorded.
This solo is almost a slow and profound recitative. As of he starts an international agenda.
During this period his concept of re-interpretation applied to musical form was first used. A sound material can make references to a specific musical context or a specific historical period even a very recent period without being a quotation.
However, it also takes in account that these features must occur inside the sustained note domain. These movements are a constant feature in this work. Este solo es casi un recitativo, lento y profundo. Edson Zampronha Edson Zampronha works with contemporary music, musical semiotics and musical technology.
This can be attributed to the fact that musical writing is especially precise when abstract and general sound features are involved, edso is less precise when more particular features such as timbre are represented.
The greater the timbre particularity sought, the greater the flexibility in the musical writing. In the first section, for example, the key feature is a sustained note.
Edson Zampronha | Composer
Its first component is therefore a typical sustained note, while its second is a sustained note with melodic line features. His work is included in many CDs released by different labels and institutions. A number of similar rapid twisting movements control both the marble sounds and the melodic tuba shapes.
When inserted in a different context the musical work is this new contexta polyphony between references appears: His music makes an extensive use of rhetoric strategies to create new forms of zampronya tensions and musical discourses. Flo Menezes e Edson Zampronha. Retrieved from ” https: Some pitches are polarized in the work and are ordered to create a downward scale segment. There is a change of meaning in what we listen to. The electroacoustic sounds come from a marble surface rubbed with various metal, glass and clay objects.
His works include pieces for orchestra, symphonic band, electroacoustic music, chamber music, sound installations, interactive works and music for films. Zampromha objects were rubbed using rapid twisting movements over the entire marble surface, and the sounds generated featured particularly rich spectra and morphologies. Empezando con la nota Mi, las siguientes notas polarizadas son Re, Do y Sib.