Crispian Steele-Perkins: As a matter of fact, I haven’t taught for ten years. Currently I have to do a lot of playing, and I’ve got so many different instruments that. The BBC artist page for Crispian Steele‐Perkins. Find the best clips, watch programmes, catch up on the news, and read the latest Crispian Steele‐Perkins. Where were you born? What is your earliest musical memory? I was born in Exeter, UK (England) in where my father was the 5th generation of doctor in .

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I taught at the Guildhall School of Music for ten or eleven years, and I still do a lot of master classes – including the one here at Northwestern earlier today.

Gl’ amanti generosi Sinfonia. If you strive to make a beautiful sound, you will also give great pleasure to others. That’s the one great truth in life, I think. We were talking a little bit before about the different halls. It is actually a forum, a point of contact. You were just saying that the trumpet students now are much better taught.


Meet Crispian Steele-Perkins

You sort of have to use the acoustic, and a dry acoustic is very difficult. Do you feel that playing on these old instruments is something of a contest? From Wikipedia, the free encyclopedia. By using this site, you agree to the Terms of Use and Privacy Policy. I think he would. I am to my grandchildren steelr, I hope, to the friends I meet.

A set of original editions of the ‘Trumpet Tunes’. The Duke of Gloucester’s trumpet suite Composer. Heinrich Ignaz Franz von Biber.

Well I hope so, I hope so. Sonata a 8 viole con una tromba. This trip, for instance, involves 10 days, and miles driving. And sadly, without a public figure that sort of sponsors us emotionally, as it stewle, the arts are in quite a bit of difficulty in England. But you at least play a whole trunk full of trumpets.

It will swing back. I have been lucky enough to meet and work with all sorts of people from all sorts of countries and cultures; making friends is the most important thing in the world!

If it fails to entertain, I think it fails.

Crispian Steele-Perkins Interview . . . . . . . . .

There is a long tradition of exceptionally good teaching. In fact, most of the conductors like Gardiner, Trevor Pinock, even Robert King whom I still do a lot of playing for would much prefer that I did not play a real historic instrument.


I quite like the independence. We do tend to get a bit boxed in nowadays and it all moves so fast that we tend to not see the wood for the trees. I am, and I think a serious scholar should support them. March Judas Maccabeus Composer. Trumpet Concerto No 2 in C major 2nd mvt Composer.

Without the public support and money, nothing happens. Gl’ amanti generosi Sinfonia Composer. It simply failed to communicate with people and it became very hard for a young composer. What I enjoy about it is that, by and large, I find much of the music that I do now is in a much crislian intimate setting. They thought this is what the masses would want.