Antonio Caldara ( – ) was born in Venice. Round CD: Collins Bach, Magnificat – Vivaldi, Gloria – Caldara, Stabat Mater. Although the paragraph on the rear of the disc proclaims Caldara’s Stabat mater to be ‘a major score of the period [which ] stands comparison with J S Bach’. Continuo realisation by. Godehard Weithoff Personal details. Songwriter / Librettist. Jacopone da Todi Personal details. Composer. Antonio Caldara Personal.
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Famous sacred works by three composers.
Caldara: Stabat Mater; Missa Dolorosa – Classical Archives
Editor Eusebius Mandyczewski — Johns,Smith Square, London in October Ave maris stella Code: His enormous output comprises more than 80 operas and 30 masses. Caldara has long been brewing up for a major revival. The composition is divided into 15 parts. Colourbar CD information CD: Gramophone’s expert reviews easier than ever before.
Gloria in D major, RV. The tenor aria is even solely accompanied by the trombones, with harpsichord continuo. Recorded at the Pfarrkirche Graz-Mariahilf, January Stabat Mater There is little of greatness in this Stabat mater; the Missa dolorosa is more individual, but the performances are hardly top-notch View record and artist details Record and Artist Details.
After this he managed the site by adding new composers and translations regularly. The issue is compounded by some erratic pitching from the soloists, and the string playing hardly gets off to an auspicious start in the Sinfonia in G minor. In he became vice-conductor at the Vienna Court under the in that time famous composer Fux.
Caldara Missa Dolorosa. Stabat Mater |
I wish caldarz thank the Dutch Stabat Mater Foundation which gave me the financial support in to renew this site! Sacred works by composers who all worked with or for the Vienna Court Orchestra in the first half of the 18th century.
The composition is divided into 3 parts. At the time of his death in caodara had Stabat Maters. Stabat mater in G minor Caldara, Antonio Genre Categories Stabat Mater ; Religious works ; Masses ; Sequences ; For 4 voices, mixed chorus, orchestra ; For voices and chorus with orchestra ; Scores featuring the voice ; Scores featuring the soprano kater ; Scores featuring the alto voice ; Scores featuring the tenor voice ; Scores featuring the bass voice ; Scores featuring mixed chorus ; Scores featuring the orchestra ; Latin language.
Skip to main cadara. The “Vatican”-text is used. Retrieved from ” http: Antonio Caldara — was born in Venice. None the less he also composed other types of music.
Some of the closed, ritornello sections reveal an accomplished craftsman, but when all is said and done, the invention is hardly inspired. Stabat Mater 12 Sinfonie a quattro, No.
After his death I continued collecting the information and managing the site. Gramophone products and those of specially selected partners from the world of music.
Stabat mater in G minor (Caldara, Antonio)
Interesting is the presence of two trombones in the orchestra, which are used during the choruses. He was given the responsibility of composing operas, many of them with texts by Zeno and Metastasio.
Caldara Missa Dolorosa. Stabat Mater
If you are a library, staabt or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information. The melody of matee first two parts is exactly the same cqldara the melody for the first two stanzas in the longer Stabat described above. The all-time greats Read about the artists who changed the world of classical music.
Soprano, alto, tenor, bass, choir and strings with two trombones. Daniel Van Gilst – EN Though neither of the CD inserts says anything about other Stabat Mater compositions by Caldara, it is possible that this one is a first trial by Caldara, which he later developed into the longer version. Ecce quomodo moritur justus Florian Leopold Gassmann: Creative Commons Attribution 4.
I bought this CD in a record shop in the Netherlands, Staatsbibliothek zu Berlin D-B: About the Stabat Mater Date: For page index, see Discussion. Whether you want to see what we think of today’s latest releases or discover what our critics thought of your favourite recordings from the past, you will find it all in our full-searchable Reviews Database.
The opening descending motif of the first section, introduced stabxt the soprano and taken up by the other three voices, is retained throughout the piece in one form of another.