Find composition details, parts / movement information and albums that contain performances of Sequenza III, for voice on AllMusic. Luciano Berio. Sequenza . Sequenza III (author’s note). Sequenza III for voice (). The voice carries always an excess of connotations, whatever it is doing. From the grossest of noises. Berio described Sequenza III as being a 3 part invention built on elements of text, performance would be different, the directions on the score are very precise.

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Is this the most bizarre and technically difficult piece of vocal music ever – Classic FM

The voice carries always an excess of connotations, whatever it is doing. Genre Vocal Music Classical. Although Berio and Berberian divorced in the mids, their musical collaboration continued into the s.

Inspired by Berberian’s extraordinary vocal prowess, Berio set out in Sequenza III to create ebrio catalog of vocal gestures that encompassed the gamut of effects and techniques. In the Voice Labyrinth.

Sequenza III (author’s note) | Centro Studi Luciano Berio – Luciano Berio’s Official Website

From the grossest of noises to the most delicate of singing, the voice always means something, always refers beyond itself and creates a huge range of associations. Ricerca Search this site: For this reason Sequenza III can also be considered as a dramatic essay whose iiii, so to speak, is the relationship between the soloist and her own voice Sequenza III was written in for Cathy Berberian.


Streams Videos All Posts. The “text” consists of vocatives of little semantic value by Markus Kutter; meaning instead emerges via the soprano’s evocation of particular expressive formulas: Jazz Latin New Age.

Karlheinz Stockhausen, Luciano Berio. Songs for Seven Centuries. Sequenza III variously requires the performer to mutter under the breath, laugh, and sing in the conventional manner.

Romantic Evening Sex All Themes. Rainy Day Relaxation Road Trip. Drinking Hanging Out In Love. Il contenuto di questa pagina richiede una nuova versione di Adobe Flash Player. Please enable JavaScript in your browser to use the site fully. One of Luciano Berio’s most seqkenza sources of inspiration was his long collaboration with soprano Cathy Berberian – 83who was the composer’s wife as well as a primary exponent of his work throughout the s.

Introspection Late Night Partying. In Sequenza III I tried to assimilate many aspects of everyday vocal life, including trivial ones, without losing intermediate levels or indeed normal singing. AllMusic relies heavily on JavaScript. Share on facebook twitter tumblr.


The bsrio had to be homogeneous, in order to lend itself to a project that consisted essentially of exorcising the excessive connotations and composing them into musical units. Give me a few words for a woman to sing a truth allowing us to build a house without worrying before night comes.

In Memoriam Cathy Berberian.

The Great Works for Voice. In order to control such a wide range of vocal behaviour, I felt I had to break up the text in an apparently devastating way, so as to be able to recuperate fragments from it on different expressive planes, and to reshape them into units that were not discursive but musical.

Is this the most bizarre and technically difficult piece of vocal music ever written?

Sexy Trippy All Moods. Nel labirinto della voce. Sequenza III is a piece very much of its era, paralleling other experiments in vocal music and textual meaning such as Cage ‘s Aria and Ligeti ‘s Aventures