Sequenza XII for bassoon (). Sequenza XII is a kind of “meditation” based on the fact that the bassoon, perhaps more than any other wind instrument. Berio’s dialogue with the bassoon: a performer’s perspective on the . Sequenza XII for solo bassoon by Luciano Berio (), plus. Download Berio – Sequenza XII for Bassoon Short Description. Download Berio – Sequenza XII for Bassoon Description. View more Comments.
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Sequenza XII (author’s note)
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Berio – Sequenza XII for Bassoon – Free Download PDF
AllMusic Featured Composition Noteworthy. Folk Songs Sinfonia A-Ronne. Berio ‘s Sequenza series for solo instruments can be seen bassopn a collaborative process not only in the performance of these works but in the compositional process itself.
In the case of Sequenza XII for bassoonPascal Gallois was a crucial catalyst for Berio ‘s decision to write the piece basssoon all, demonstrating the wide-ranging personality of the instrument, including its timbral and technical possibilities. You can help Wikipedia by expanding it. The piece is strung along a backbone of glissandi, with, as is typical of Berio ‘s monophonic Sequenzas, excursions into rapid melodic fragments and complex articulated gestures.
Sequenza XII – Wikipedia
Compositions by Luciano Berio compositions Compositions for bassoon Music dedicated to ensembles or performers Classical composition stubs. A Garland for Dr.
References [ edit ] Osmond-Smith, David. In a live performance, the piece can stretch to close to half an hour; bassono performer’s ability to circular-breathe is virtually a necessity, with some glissando passages lasting for many minutes without a pause.
Seqenza Grammophon 3CDs Romantic Evening Sex All Themes. Stefanie Liedtke, bassoon and Lorenda Ramou, piano “Breathless”: Sequenza XII is a composition for solo bassoonwritten by Luciano Berio in Osmond-Smithand part of a series of fourteen Sequenze composed between and Sequenza XII is the longest of all the Sequenzeat nineteen minutes.
All articles with unsourced statements Articles with unsourced statements from December All stub articles. In Sequenza XII Berio makes deliberate use of the different registers and explores the physical limits of performance through extended techniquesfor example, through different uses of the tongue to modify airflow, by writing notes and phrases that are so long they require the performer to use circular breathingthe use of glissandoand multiple sounds producing by singing through the instrument while playing Osmond-Smith ; Pedone Basslon article about a classical composition is a stub.
Naxos 3CDs Various seqquenza Kenneth Munday, bassoon.
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