Giovanni Pierluigi da Palestrina. Alma redemptoris mater, motet (unspecified of 4 ). Composition Information ↓; Description ↓; Appears On ↓. Share on. G. Palestrina – Giovanni Pierluigi da Palestrina: Missa Brevis; Alma Redemptoris Mater – Music. Buy Alma Redemptoris Mater (SSAA) by Giovanni P at Choral Sheet Music. Alma Redemptoris Mater. Giovanni Palestrina/ed. Sprague.
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Sacred Music in 17th Century Rome. The mood throughout remains serene in its soaring, mesmeric singing, the four vocal lines typically uniting to convey a sense of religious ecstasy, then often focusing on one part — usually the soprano — to impart a greater sense of intimacy and peace. Jazz Latin New Age. The Gift of Music.
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Alma Redemptoris Mater – Wikipedia
Cathedral Music from Galway. Depending on the period, the following combinations of a versicleresponseand collect are added. While the writing is simple and, of course, without instrumental accompaniment, it exhibits an expressive depth both in its cherubic atmosphere and melodic beauty.
A Blessed Day Has Dawned.
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Alma Redemptoris Mater (Giovanni Pierluigi da Palestrina) – ChoralWiki
Timeless Music for Contemplation. Nine Centuries of Choral Music. Romantic Evening Sex All Themes. AllMusic Featured Composition Paleztrina. Once As I Remember Part of a series on the. Formerly it was recited at the end of the canonical hours only from the first Sunday in Advent until the Feast of the Purification 2 February.
Alma Redemptoris Mater Ecclesiastical Latin: Marian devotions Roman Catholic prayers Marian antiphons Latin-language Christian hymns Latin religious phrases Latin words and phrases. For prayers listed in italicsindulgences are normally granted.
Alma Redemptoris Mater (Giovanni Pierluigi da Palestrina)
Even listeners not particularly fond of Renaissance-era sacred music should find this motet of great appeal. Prayers of the Catholic Church. Hermannus Contractus also called Herman the Cripple; — is said to have authored the hymn based on the writings of Saints FulgentiusEpiphaniusand Irenaeus of Lyon.
The motet opens with a tenor vocal line intoning the soothing, celestial theme with the other three vocal parts soon joining in. Giovanni Pierluigi da Palestrina: For its text, Palestrina used an eleventh century Marian poem, the title of which is usually translated as Loving Mother of Our Savior.
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It is, not surprisingly, one of his more popular motets. This article incorporates text from a publication now in the public domain: